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confessions of a professional musician

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Caught a lot of compliments and an equal amount of flack for my writing in this week’s Movie Review in our local rag, the New Times. That was fun.
(If link goes dead I reproduced it here)

Damon Castillo’s brand new album is coming back from mastering this week. That should be pretty damn good, they sure spent enough time on it! :)

Been trying to promote the Tipsy Gypsies on that dumb website they call “MySpace“, and working up new material with Hillary. We’ve got some brand new songs we’re going to demo soon so there will be something for ya’ll outside of CA to listen to.

Working hard (or hardly working) at Grand Central Music, running the lesson program and trying to stay busy. Our online ebay sales are really taking off, which is good in this stupid economy.

A couple of gigs comin up that I’m looking forward to :

Damon Castillo - Farmers Market in SLO - Thurs, 9-25

Jazz at the Inn At Morro Bay - Fri, 9-26 (upright bass)

Damon Castillo Acoustic - Linnea’s - Sat, 9-27 (upright bass)

It’ll be good to dust off the old upright for a change….

How to lose money part 3

It still burns the next day as a mixture of embarresment and anger sweeps over him.

Sitting in a coffee shop explaining the entire scenario to his girlfriend, he laughs on the outside but not on the inside. This is a skill he’s learned from being a professional musician. When playing live music, you’re tapping into your emotions to really feel what your fingers are doing. For instance, if he’s had a bad day, he’ll play great that night. The tricky part is when he’s done playing, and emotionally drained, he still has to mingle and talk to people and act like everything is okay. This skill comes in handy very often, as he’s never been accused of wearing his emotions on his sleeve.

Halfway through his funny/unfunny conversation about losing a hundred dollar bill he recieves a phone call.

“Hello”

“Forrestt? It’s Darryl. Guess what man, somebody called me and said they found your hundred and left it at the front desk of the Embassy Suites!”

“WHAT? That’s crazy?!”

“Yeah, they called me because they asked around and one of the waitresses remembered you talking about losing it. The chef is a good friend of mine and gave them my #.”

“Oh man, thanks.”

“You better go down there and get it.”

“Yeah, I’m going right now, Thanks Darryl.”

“Alright, I’ll see you later.”

“Bye.” He flips his phone shut.

The drive the hotel is an interesting one. He walks through the doors, nervous for some reason.

“Hello, I’m Forrestt, and I lost some money?”

“Ah,” The two girls at the counter both smile the widest smiles he’s seen at a hotel counter before.

“What’s your last name?”

“Williams”

“I have this for you. Some fellow named Chris found this and turned it in.”

“Amazing. You know, this really gives me faith in humanity. That’s a great world where someone turns in a hundred dollar bill.”

“Yeah, hold on to it this time, don’t imagine it’ll happen again.”

“Thank you!”

He tried as cooly as he could to put on his shades as he walked out the door, but he was too elated.

There was nothing cool about him at that moment.

How to lose money, part 2

Instantly his blood pressure skyrockets. “What the hell?!?!?” He scrounges around in all his pockets frantically and finds nothing. The day is turning sour quickly.

He traces his steps and looks on the floors of all the places he thought he went. The restroom, the food table, the jazz area, the table he ate at, the wine bar where he got ripped off for a glass of wine, and nothing.

He sees Darryl outside, loading up his van. He’s got another gig he must go to so he’s in a hurry.

“Hey, I think I lost that hundred you gave me,” he says with a subtle sadness. It’s the look on someones face when they’re extremely distraught but trying to hide it, a bit of a reddish eye and a fake smile.

“Oh! Uh, did you check your pockets?”

“Yeah, nothing,” As he re-checks them.

“Oh, man. That sucks. Did you look around?”

“Yeah I fucking looked around!” He can sense himself starting to lose it.

“You know, I gotta get going, but, shoot, that sucks.”

“Yeah, man. I’ll call you.”

“Good luck!”

Forrestt goes inside and asks one of the waitresses on the catering team.

“Hey, I lost a hundred dollar bill around here, I was just wondering if you’ve heard of anyone finding it.”

“You lost a what?!”

The words ‘lost hundred dollar bill’ catches far more ears than he had hoped the wait staff starts to come over. His face is slowly turning red.

“Whoah, that’s crazy!”

“How’d you manage to do that?!”

“I’ll keep an eye out for it, okay?” Says the very nice waitress who had helped him earlier with his food.

“Thanks, I appreciate it.”

He struggles to maintain his cool as he’s left alone to finish loading his equipment into his vehicle. In the process he bumps his head and smashes his finger. Once inside his car he yells obscenities to the world as he speeds down the street to his house.

He walks inside and almost breaks his hand punching the wall and yelling. He throws his cell phone on the ground with all his frustrated fury, breaking it into a dozen pieces. “Damn hardwood floors,” he thinks.

He sits on the edge of his bed, rests his face in his hands and tries to regain his composure. He’s got a rehearsal later that night, and he doesn’t want to be THAT guy, the guy who’s whining about how he’s down on his luck just to receive the forced sympathy that follows.

“Okay, get it together. It’s just a hundred bucks.” But then his mind sabotages him, and he thinks about how behind he is on all his bills, and Christmas is coming up. “Dammit, I could have used that money…”

The best thing to do in these situations is to practice the drums, for the drums are more than just an instrument, they are therapy. Pounding away on the toms, smacking the snare as hard as possible, limbs flailing madly about - if professional therapists were this much fun, they’d make a hell of a lot more money.

How to lose money - part 1

Forrestt wakes up and readies for his day. There’s a jazz gig on the books for 11:30, a suit and tie affair. It pays $100 and he needs the money.

Upon realizing that he can’t find his only descent tie, he has a bit of a crisis. A rush down to Gotschalks.

“Can I ring you up?”

“Yeah, I’ll take this”

Scan… Beep… Beep…..

“That’ll be $32.54.”

“What?! I thought that tie was on the sale rack.”

“Yeah, the 29.99 sale rack.”

“Jeesus. Well let me go find another.”

All the ties on the 19.99 sale rack pale in comparison to the one that he had so meticulously chosen. A glance at the watch and a quick decision is made.

“Fine I’ll take it.”

___

At the gig he caught a glance of himself in the mirror. “Damn, I look sharp.” It’s a recently purchased suit, worn maybe 6 times and a brand new maroon tie.

He tunes up his upright bass and watches the rich people file into this little chef’s lunch event. At $75 a plate, he knew for sure he wouldn’t see anyone he knew in the crowd. Darryl, the vibraphone player and the guy who called him for this show turns to him just before they’re supposed to start.

“Here’s your pay for today, before I forget.”, And hands him a crisp benjamin. Not wanting to set down his bass to get out his wallet, he folds it in half and puts it in his pocket next to his wallet.

“Nice! Not bad for 2 hours of work. Plus they’re going to feed us!”

It’s a classy duo, Upright and Vibes. It has a certain sonic appeal to it, both intsruments being pleasant on the ear and complimentary of each other. The bass was sounding particularly good in the room as well, which was not always the case.

“Bass sounds the best I’ve heard it”

“Yeah, I got to spend some time dialing in the tone yesterday. It’s doing well today, but she can be finnicky sometimes.”

“Well what do we have here? Looks like some talent just entered the building.”

A few well-to-do and looking good females stroll in through the double doors, making their entrance known.

“Ahh. I think they’re out of my price range.”

They play some jazz standards, and go almost entirely unnoticed by a majority of the crowd. Which they don’t mind. They supposed that they would be resigned to background music status.

The song ‘Nature Boy’ is performed, and both of their solos impressed one another. They ended it dramatically and with a grin. To silence.

“Thank you ladies and gentlemen, you are too kind!”, Darryl says, a little too loud.

They end the set and Darryl works the crowd. He has always been quite the professional.

“Oh, thank you. Yes, indeed. Does it sound good? I’m glad. Great.” etc. etc.

The second set goes on without a hitch. No one pays attention and they got to look good while practicing their chops. Known amongst jazz circles as a ‘practice gig’.

They wrap things up and settle on a table to enjoy the fine lunch. Darryl’s chef friend, Andre, cooked up quite the plate. And the Lamb was delicious.

After a cup of coffee they decide to pack up the equipment. Always the least enjoyable part of a gig. Forrestt walks to his car to move it closer to the door for loading up and checks his wallet to put the hundred dollar bill in, and finds it not there.

Oscar Peterson RIP

The term “Chops Chopperson” could be accurately used when describing the fire of Oscar Peterson’s Piano playing. He passed away on the day before Christmas Eve.

From the wiki:
Oscar Emmanuel Peterson, (15 August 1925 – 23 December 2007) was a Canadian jazz pianist and composer. Called the “Maharajah of the keyboard” by Duke Ellington, Oscar Peterson is considered to have been one of the greatest pianists of all time. He played to audiences worldwide in a career lasting more than 60 years.

Here’s some old footage of his trio (With ultimate Upright Player Ray Brown and killing drummer Ed Thigpen) playing the Cubano Chant, a favorite of mine:

And here’s this kid, Win Dem Herker, who transcribed one of Oscar’s Piano solos and completely tears it up, a must see:

In Rainbows

*poke* *poke*

“It’s raining outside!”

Blackness fades to brightness. I find myself laying in bed listening to the soft patter of rain in the early morning. It’s comforting, sure, but I’m tired.

“What time is it?” I ask groggily,

“I don’t know, it’s early. Wake up!”

“O gawd. I’m tired.”

“You’re always a sleepy head in the morning,” She accuses.

“I’m a musician!”

My answer and excuse for everything.

She wakes and readies for work, leaving me to slumber an extra 20 minutes before I’m forced to rise. I know it’s going to be a long day, so I take my time.

I shower and remember that I need to turn the water heater up. The hot water faucet is up all the way and the cold is not on at all. I don’t think that’s right, but my brain never functions too well at this time of day.

Now I’m clean and I step out on the balcony with a fresh cup of joe. It’s a beautiful day. It’s 9 am, the rain has stopped and the sun is out. That’s got to be the most beautiful weather known to man. The colors are vibrant and everything is still dripping. I inhale deeply of this day, knowing I will not be able to enjoy much of it.

I plop down in front of my computer screen to check my email. I respond to several notes concerning load-in times and gig schedules, as well as work related stuff regarding the up-coming guitar competition that I am involved in organizing. Busy already, great.

I quickly browse a couple of news sites and music blogs when I make this discovery. Today is October 10th! The new Radiohead album is out today! Their official site where you can download the music is not responding at 9:30 am, no doubt from their entire fanbase attempting to download the songs all at once. I quickly find the bittorrent and proceed to leach.

I put on the Cowboy Junkies ‘The Trinity Session’ album and get ready for my day. Sweet Jane!

Beep Beep

The text message says:

“Can you come in early today?”

Super. I look at the computer. It shows my download at 40%. I’ve got to get this crap on my ipod before I head out the door. The only place I get solid listening time in now days is in my car. I respond with a quick text, “I’ll try, I’m in the middle of something.” I feel very self centered after pressing the send button. “It’s okay,” I re-assure myself, “Tomorrow is going to be just as busy, you’ve got to get it now.” After twenty minutes or so the download is complete and I hit the road, listening to new music all the way.

I arrive at the music store to find that Pat has called in sick, hence the early request. I set out to finalize the guitar competition stuff I’m working on in between helping customers with guitars. It’s really not a bad scene. I get to act like I know what I’m talking about, and I’ve been there long enough where I’m starting to convince myself.

Several hours go by, some work is accomplished and some food is consumed. I have about an hour break before I must come back to teach my bass students for the day. I decide to head down to post office to mail some bills and then down to my rehearsal studio to play my poor, neglected upright bass. She is so sad these days, all of my time has been going into my electric basses and my new guitars.

An hour slows to a halt when you’ve got nothing to do. The opposite effect happens, of course, when you’ve got somewhere to be.

I rush back to the store barely in time to make my first lesson. I love my students. Well, most of them anyways. They really are a good bunch of kids. And most of them practice too, which makes all the difference.

I look at the schedule and have a small panic attack. I see that I have a half-hour student scheduled at 5. I have a gig in Pismo Beach at 6, which is a 30 minute drive. That leaves no room for error at all. I thought I had scheduled this better, but I screwed myself. Again.

We play some James Brown, some Primus, some Jazz, some scales, some theory, some exercises, and some more James Brown. My last lesson is done and I dash for the door. 5:30 pm, rush hour traffic. Even in the little town of San Luis Obispo south bound freeway traffic can come to a halt between 5 and 6.

I take the back road to Pismo Beach, grooving to the newly downloaded album, and arrive at the spot at exactly 5:56.

“Hey, we play in four minutes, and I got busted for starting late last week, so let’s hit it,” Says Mike, the drummer.

Laughs are had. Handshakes and welcomes are exchanged. I’m ready to play in 1 minute flat when I hear this news;

“So I forgot my hi-hats.”

Oh yeah, the drummer who’s trying to bust me for running late has forgotten the most important part of his drums. Especially when playing jazz, you’ve simply GOT to have hi-hats! He sets up a make shift version using a large crash cymbal on bottom and a small splash on top, looking like some sort of perverted bird bath or fruit basket. We give him his share of grief and start the gig.

Dave does his typical thing where he counts the song off to himself and expects everyone to just fall in. He does his custom endings and intros that aren’t written and assumes we know what the hell he’s doing. He’s a funny cat. It’s a good thing he shreds on the vibes, or he wouldn’t be getting away with that behavior.

We have a great time, and I actually solicit applause for my bass solos several times throughout the evening, which only re-enforces my already fragile ego. Jake and I order Bicardi and cokes, and we watch in shock as he serves them in pint glasses. And they’re strong. It tastes like Bicardi with a little bit of coke.

The second set plays on it’s own. I think that’s the Bicardi speaking. There’s a nice mixed crowd hanging out at the Sea Venture on a Wednesday night. It’s kid of surprising how happening it really is. Old people, young people, beautiful people, local people and tourist people all mixed up like a spicy jambalaya. A spicy jambalaya that’s way into jazz on a wednesday night.

I get paid at the end of the night, less than I expected, which is a reoccurring theme in my life right now, and pack up my stuff. I have a great conversation with Rick the conga player about some latin stuff, and we both agree that Gonzalo Rubalcaba is the best thing out there right now. I believe the exact term we agreed on was ‘motherfucker’.

Just as quickly as I arrived I depart. The drive home is slow and easy. Another day has been digested, and this one was good.

And new Radiohead album is pretty good too.

fdub_mikeraynorsm.jpg

A good Upright Bass night

Played at the Inn at Morro Bay last night. It was a slim crowd, but they were appreciative.

This guy named Bill Cyeeta came in with his wife, a middle-aged gentleman, and they guys in the band were telling me he’s an upright bass player from down south. I talked with him for a little bit at the set break, and he was real cool, so I had him play a couple of songs.

I could tell right away that his technique was great, he’d definitely been playing for a long time. His knowledge of music was deep and he knew how to apply theory correctly to certain sections that I couldn’t do. He was good.

So then, after like two songs (an F Blues and Footprints) I came back up. Great, this guy just played excellently. Now I knew I had to turn it up. We closed the set with All Blues. When it came time for my solo, Mike Raynor (drummer) laid out completely. I started playing the Brian Bromberg style bassline with the melody at the same time and then I pulled out all the stops. It got Bill’s table AND the table next to him light up.

My technique, after playing the Upright bass for only one year now, leaves much to be desired. But my “Sense of adventure,” as Bill put it, more than made up for it that night. It was cool. We had a real good time, and it was great to see how my bass is supposed to be played.

A 14 hour workday is like a swift kick in the shin, but you like it and ask for more.


He is done with his work shift at the music store. It was a long 8 hour day for him. Still kicking a bit of a cold, he’s standing fairly strong. On the back of his mind is the fact that he gets out of work at 6 pm and his gig starts at 6:30 pm. That gig is done around 9:00 pm and his next jazz gig starts at 9:30 and lasts until 12 am. ‘It’s going to be a long day’ he thinks. Little does he know how long it will be.

He arrives at his rehearsal space to load his equipment into his car. He pops his trunk, steps out of his vehicle, and then it hits him.

“I don’t have my studio keys!”

He panics and looks around his car, which is a total disaster already. Even if they are in there he probably wouldn’t find them.

He bolts over to the drum shop and sees a drummer that has another room in the same building, attempting somehow to get into his own room but failing. The clock is ticking at this point and he’s freaking out and makes a few phone calls. He tracks down a set of keys from another musician he shares the room with and drives across town to get them.

By the time he shows up at the gig it’s 6:45. In a mad dash to get setup and park, the band doesn’t start until 7.

Fortunately, he doesn’t crumble under the pressure of the day, and the band kicks ass. The crowd goes nuts and the Salsa band plays effortlessly. Good times had by all.

Unfortunately, due to the late start time, he doesn’t make it to the Jazz Club (only two blocks away!) until 9:20 pm.

That band starts around 9:45 and plays until 12:15 am after one break.

And as usual, Grappolos is filled with gorgeous ladies dancing to their latin jazz all night long, which helps the night fly past him rather quickly.

He walks into his house around 1 am and instantly falls to sleep, sleeping deeper than he’s slept in months.

Month Recap

April, my birthday month, has almost always been good to me. This month had some great gigs, notably the San Diego show with Crosby. Also, I did a recording session with the salsa band, Sabroso, entirely on the Upright bass,

I played with some great new musicians, honed my chops with lessons from Jedi-Master Ken Hustead, got some, learned some. Great month.

There were more than 12 gigs this last month. I’m looking to top that in may, I’ve got 5 gigs this week alone.

And just recently, I won third place in the Drum Competition. That was a hoot. I felt pretty nervous, It’s weird having the entire place stare at you for 3 minutes. I’m used to that sort of thing on stage playing bass, but it was different somehow.

There was definitely some grumbling amongst drummers. Howard, the new owner of the Drum Circuit, told everyone that I was really a bass player, and when I got third, some drummers were a bit peeved. It was all in good fun for me.

Video of Drum Competition coming soon….

How do you salsa dance? Easy, first drink. A lot.

After working at Grand Central Music all day selling guitars (the things we resort to to survive!) I went down to the Drum Circuit to watch my friend Dale Moon give a free drum clinic. I showed up mainly to support him, I already know his schtick, but I wanted to represent as a friend. To my surprise, it was standing room only. As I drove up people were literally standing outside, straining their necks through the door to catch a view.

Then to Grappolos, the best jazz gig in town. Oh, how I miss that place. Darrel Voss plays there every thursday, and for the last two months, my schedule didn’t work with his rotating cast of players. Now it’s the ‘Darryl Voss Latin Trio’ with Larry Errone on Piano, who is a superb latin jazz player.

The vibe in there is so happening. It’s turning into the hip spot. The people I recognize were people I know are too hip for me. And I’m pretty hip, dammit!

Beautiful shaking of the hips, people lost in the rhythm. Dim lights, loud atmosphere. Drinks flowing, the owner being a big fan of Latin music. Building up energy with thematic, climactic solos that ecstatic reactions from kids who don’t normally listen to jazz.

I’ll be there every other thursday for the next two months, and it’s now the highlight of my week.